martianstranger:

 2007-2010 

 Herzog & de Meuron’s VitraHaus

Located in Weil am Rhein, Germany

(Source: whyokay)

This is brills.

pacalin:

Ministry of Alien Silly Walks - by 6amcrisis

Prints available at society6.

(Source: pacalin)

kierstenmh:

As I was about to pack up my mic for Minnesota, I knew I needed to do one thing. This song has meant a lot to me since high school. I listened to it repeatedly before going to college in Seattle. I can still perfectly relate to the lyrics.

I had to play it.

World at Large (cover)- Modest Mouse

SWOOOOOOOOOOOOOOOON

ultralaser:

littleraccoonhumps:

thedailywhat:

U

Illustrated Internet of the Day: French artist Renaud Forestié’s wistful take on Sad Keanu.

I wouldn’t mind it if this were adapted into a full-length animated feature. Pixar, I’m looking in your direction.

[thanks kness!]

ultralaser:

MODERN TIMES (by BC2010)

Made with no money, just a little time and a lot of passion.

D.O.P: Richard Mountney
Lighting and Camera assistants: 
Simon Mountney, Tom Mountney and Robin Mair

Film Excerpts and Music used under a strictly non-profit basis.

[h/t to ellis king]

this is BRILLS

nezua:

over a beat

I love everything about this. I want this to be the opening credits to some buddy cop show that I can watch every week.

(Source: greedyleonardo)

h/t to Seandehey for the brills idea.

Cells, by The Servant

Some of you will recognize the guitar hook on this from the Sin City trailer. It was one of those trailers where your first thought was OMG LET’S GO SEE THIS MOVIE and thought #2 was HOLY SHIT WHAT IS THAT MUSIC?

So I tracked it down, and got the mp3. Then I had to track down the instrumental version, because that’s the one that Rodriguez actually used for the trailer. Because the original version of the song has lyrics, and those lyrics are why nobody had heard of the song until this trailer. BECAUSE THE LYRICS ARE HORRIBLE. OMG.

Songs like this are like Coldplay songs; the instrumentation is fantastic, but the lyrics can absolutely ruin it. The one thing Chris Martin has going for him is that—if you listen to his voice as another instrument conveying mood and not as a source of words conveying some meaning—he’s a really good singer, and his pitch/tone/singing style match the otherwise flawless instrumentation of a good Coldplay song. It is, in fact, the utter art-school pretentiousness of Chris Martin’s lyrics (his poetry, if you want to call it that) that makes me wish he was singing in another language.

This line of thought led me to my totes brills BILLION DOLLAR IDEA, which is that Coldplay needs to record a series of french-language albums. SRSLY I WOULD BUY THEM ALL.